WEEK 5 TRIAL...?

[foundationmods]

TRIAL

Even though there's no guilty party left alive, The Lady ushers you all upstairs anyway. She looks...odd, her eyes glazed over in an odd manner, her motions a bit sharper than normal.

There's still the box, but for some reason it feels...ominous...?

And though she says nothing, music begins to play in the room...


VICTIM:
M̧̛̥͉̳̪͔͕̼͎̻͕͟Ì̤̝̩͇̝͖̠̬́͟͞͝ͅŅ̛̛͖̺͇́͜A̵̢̡̗̙͇̝̥̹͇̲̖̣̰̖͡T̶̵̸̗̼̼͍̘̞̠̀ͅǪ̸̸̨̞͇̪͚͇ ̨̼̪̖̯̻͙̤̬͉̟̭̙̟̗͡A̻̣̭̻̫͎͈̥͎̗̻͘͡R̢͇͚̻̦͟͝I̡҉̷̯̼̤̹̜̙̟̜̹̝̺̣͈̩̘̭͠S͏̶̜̬͔͈̭͉̯̪͙͓̪̻̖͉̩̕͜͟ͅͅA̡̢̻̥̠̭̯̻͇͖T̴̨̛͎̟͕̜̗̗̰̯̥̺̯̹͜O̧̧̭̥̺̱̺̠̞͜,̠̯͔̥̖̣͖̼̪͍̕͡͝ ͏͓̬͇̱͖̰̞̠̺͟R̵̡̛͍̰̯͔͖͚̣̼̼̲̻͡E҉̴̶̡͖͚͈͈̯̺̠̖̼Á͈̣̜̥̗͍̫̖̱̰̘͓̲̺̀̕͜͡N̴̸̵̨̰̭̖̰̯͖̩̺͇̟̱ ̧̖̱̣͖̲̙̲̖̟̩̭̩̬̝̟͚Ş̸҉̳̺͙͓̱̲̙̜͈̠̦̞͓͘͜C̴̵͙̫̰̫͕͓̲̬͔̯͝H̛͍̖ͅW̵̟̘̣̬͇̟̳̙̟͡A͙̗̩̟̣̥̪̮̯̮̜͙̮͎̗̳͎͚̹͘͞R̡̧̖̦̀̀ͅZ̹̺̙͕̰͘E͡҉̨̠͓̦͈̻̼̱͍́͝R̵̞͉͖̟̮͚̮̼͍̬͔̭̥͓̹̙̖̮̮͜


?̶̧͔̝̱́?̵̪̮̖ ̶̡̧͖̳͚G̖̬̳͜U̟͎͈̦̖̹̕E̗͈͚͎S̸͕̩T̷̲͖̬́S̩̝̻̲͟ͅ ͍̪̻R̯̟̩̲̻͍͡E̢̺̻͓M̫̦̲̲̼͡A̴̛҉̮̺̪̼̜̹̯Ị͘N͏͚͓̗͔̼̞̘.̙̥̮̳̩͘

Comments

[resortghosts]

[Yeah it's only when the crowd around him has dissipated some that another ghost comes closer.

And just quietly leans against him, shoulder to shoulder.

It's probably a plenty familiar build to Akira by now.]

[purrtagonist]

[how familiar a build, exactly. . .]

[resortghosts]

[Very familiar.

The way said ghost reaches for Akira's fingers to try to thread them together is probably also familiar.]

[purrtagonist]

[Minato

[. . . leans into him, squeezing his fingers with gentle yet firm pressure]

[resortghosts]

[There's a familiar gesture that follows, then--the ghost taking that hand in his own, flipping it over until he has Akira's palm, and traces a familiar kanji there.

That's all he can do right now, aside from leaning in close.]

[purrtagonist]

[. . . . . .]

[shifts to try and slide his arms around Minato's shoulders if he can. he might wind up bumping into Minato's face awkwardly a bit first, but. . .]

[the attempt is being made]

[resortghosts]

[The attempt is successful, and the ghost very willingly leans into that hold.

For now, they can just...have this.

In the wake of all of that tragedy, what else is there?]